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・ Jaime Flores Castañeda
・ Jaime Fonalledas
・ Jaime Fortier
・ Jaime Franklin
・ Jaime Frontera
・ Jaime Frías
・ Jaime Fuster
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・ Jaime García (equestrian)
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Jaime Gil de Biedma
・ Jaime Gili
・ Jaime Gilinski Bacal
・ Jaime Giménez Arbe
・ Jaime Giraldo Ángel
・ Jaime Gomez (disambiguation)
・ Jaime Gomez (golfer)
・ Jaime Gonzalez (golfer)
・ Jaime González
・ Jaime González (Chilean footballer)
・ Jaime González (footballer)
・ Jaime González (sport shooter)
・ Jaime González Airport
・ Jaime González Durán
・ Jaime Gonçalves


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Jaime Gil de Biedma : ウィキペディア英語版
Jaime Gil de Biedma

Jaime Gil de Biedma y Alba (Nov. 13, 1929-Jan. 8, 1990) was a Catalan post-Civil War poet.
He was born in Nava de la Asunción〔(''Jaime Gil de Biedma, veinte años después'' ) from ''www.diariodejerez.es'' 15 January 2010〕 on November 13, 1929. He stopped writing poetry some ten years before his death. He insisted that the character he had invented, the ''poet'' Jaime Gil de Biedma, as opposed to the respectable bourgeois businessman of the same name, had nothing left to say and he refused to go on playing the role of a poet in literary society.
He died on January 8, 1990 of AIDS.〔(''Jaime Gil de Biedma, veinte años después'' ) from ''www.diariodejerez.es'' 15 January 2010〕
==English influence==
Among his readers, he is considered one of the most consummate Anglophiles in the field of contemporary peninsular literature. This Anglophilia was initiated when he first read T. S. Eliot's ''Four Quartets'' (translated in 1952).
He was also a considerable Francophile as befitted a young Spaniard of his elevated social class, bearing in mind that Spanish society had always been notoriously 'afrancesada' until well into the 20th century. This state of affairs begin to change under the influence of poets like Gil de Biedma and Luis Cernuda. His lifelong adherence to and assimilation of Anglo-American culture was consolidated by his studies in Oxford in 1953 where he read T. S. Eliot for the first time in English (along with W. H. Auden and Stephen Spender), thus beginning a lifelong fascination with the work of the Anglo-American poet. Moreover, the long periods spent in the largely Anglophone circles of Manila would also contribute to his Anglophile literary sensibility and on numerous occasions he would declare England to be his 'segunda patria', his second country, and would also say that he was 'in great measure, a product of the Anglo-Saxon literary tradition. Even though, also shows conscious relations with Spanish and French tradition.

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